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Desert Paper, Book and Wax
And
Studio Renfrow
Enrich Your Life with Inspiring Art Courses!
Authentic Voice/Personal Vision, Drawing, Encaustic Painting, Papermaking, Plein Aire Landscape Photography and Photoshop
Summer 2013
Offered by Catherine Nash and Robert Renfrow
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Course List
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UPCOMING ~ Catherine
May/June of 2013: CAPE COD!
"7th Annual International Conference of Encaustic Painting" in Provincetown, MA.
Catherine has been Invited to lecture about Contemporary Paper and Encaustic, and teach 2 workshops:
Finding Your Authentic Visual Voice Wed & Thurs May 29 & 30th
and
Combining Two Ancient Media: Paper and Encaustic, Friday June 7th.
For more information: http://www.castlehill.org/post-conference.html Do a page search for Nash to find the two workshops. To register : call the office of the Truro Center for the Arts at 508-349-7511 You do not need to go to the conference to take the workshops!
July 14-20, 2013: Gatlinburg, Tennessee
Workshop "From Traditional to Contemporary — Casting with Japanese Paper Fibers" at Arrowmont School of Art and Craft
Translucent paper casting draws on a combination of traditional Japanese and Nepalese papermaking. With creative improvisation, Oriental bark fibers can be used sculpturally in an exciting way. Thin cotton cloth sewn over a skeletal structure of lashed branches becomes a mold into which thin layers of pulp are cast, layer upon layer. When dry, the cloth is removed, revealing embedded branches in an organic paper form. Students will learn traditional hand-pounded fiber preparation, correct vat concentration, and adapted Japanese sheet-forming for creating thin gossamer papers. From smaller works to sculptural installations, these techniques are perfect for bowl and basket structures and natural organic sculptural forms. All levels of experience are welcome.
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Join Catherine in HOLLAND! - Encaustic and Paper - November 2013
Two Workshops offered by Catherine Nash at Zijdelings Studio in Tilburg, Holland
For info - visit www.zijdelings.eu or email kvvught@zijdelings.com
November 11, 12 & 13, 2013
Combining Two Ancient Media: Paper & Encaustic
3-day workshop with Catherine Nash at Zijdelings Studio in Tilburg, Holland
Stain, paint, stamp, embed, layer, stitch, crumple, fold, form and dip: Combine encaustic and paper to create unique waxed based paintings, collage, assemblage and mixed media sculptural works. Learn how encaustic techniques offer a range of two and three dimensional possibilities.
Participants will draw and paint encaustic on papers, use encaustic to dip for translucency or encase an object, learn to use wax as an adhesive and layer it for visual depth, transfer photocopy imagery and much more. Use a wide variety of purchased papers including recycled paper elements, old book pages, photographs, vintage letters and envelopes, magazine imagery, and small 3D objects...
We will also explore the sculptural potential of integrating paper and encaustic: design folded, cut, or embossed sheets for a springboard to creating three dimensional unique constructions. We will learning how to carefully glue Japanese mulberry paper to lashed wooden armatures and make them as tight as a drum. Encaustic can be used to lightly stain and strengthen the structure or it can completely envelop and encase the paper. Learn how to fuse onto both convex and concave surfaces as we create structures that range in form from the organic to architectural. Complete a series of small studio constructions that will inspire and ignite diverse sculptural ideas.
November 15, 16 & 17th
Encaustic Monoprint: Molten Painterly Prints
3-day workshop with Catherine Nash at Zijdelings Studio in Tilburg, Holland
Create translucent images utilizing innovative and new techniques of encaustic monoprinting. Melted pigmented waxes on a hot plate can be transferred to a variety of papers both Western and Japanese to build "washes" and visual textures. Layer color to achieve rich nuances of tone and depth. We will investigate how the variables of heat, paint, paper and pressure can affect your results, keeping a notebook with samples of our conclusions as a reference for the future.
Enhance your prints by experimenting with the use of stencils and masks, subtractive and additive markmaking techniques as well as the ability to enrich the surface with mixed media drawing, wax collage and encaustic painting. Create textural surfaces, how to produce wax batiks on paper as well as a number of ways to register prints for multiple passes to build the image, and learn how to attach your prints to wooden panels or varied methods to present them free floating.
This is a workshop that offers the opportunity for artists of all levels to gain competence and control in one of the hottest new media. Encaustic is an ancient painting technique dating as far back as the 5th century B.C., but wax monoprinting on paper is brand new! Bring images of your work and Catherine will give you focused one on one time to discover how to dovetail encaustic into your artistic vision to build your body of work.
Encaustic monoprinting is incredibly fun and creatively satisfying: If you are like her, you'll love that it offers you the chance to work through a lot of ideas quickly with results that offer richness and spontaneity.
About the Instructor–
Catherine Nash's love of travel and different cultures has inspired her to live, research and teach on four continents. Perhaps most inspiring were two research trips to Japan, where she studied the techniques of Japanese woodblock printing and papermaking. She received a B.F.A in Printmaking and Drawing from the University of New Hampshire and in 1987, graduated from the University of Arizona with an M.F.A. in Mixed Media. Nash currently teaches in Arizona schools as an artist-in-resident for the Tucson/Pima Arts Council and the AZ Commission on the Arts, and to adults through the Arizona Sonora Desert Museum Art Institute. In addition, she has taught advanced workshops in drawing, encaustic painting, Western/Japanese handmade paper, sculptural paper casting and sculptural artist books across the U.S., as well as in professional studios in eight European countries, Japan and Australia. Her art has been exhibited internationally.
UPCOMING ~ Robert
Join Robert in the Smoky Mountains of Tennessee!
July 14-20, 2013: Gatlinburg, TN
Workshop "Creative Digital Photography & Photoshop" at Arrowmont School of Art and Craft
This beginner-friendly workshop will give students a solid understanding of their digital cameras along with eight easy steps for processing photographs using Adobe Photoshop, plus fun hands-on experience taking photographs in the Great Smoky Mountains National Park. The participants will "make friends" with their digital cameras, finding out what all of those dials, buttons and menus are for. Understandable explanations of f/stops, shutter speeds, light metering, lenses, resolution, file formats and more will be covered. Students will have the opportunity to photograph on location, with the instructor providing on-the-spot feedback and help.
After fieldwork, the class will go into the "digital darkroom" of Photoshop in order to improve and process photos. Jumpstart your creativity as you are guided in crafting a coherent body of photographs. No adult left behind! Students will need to bring a camera, manual, batteries, charger, cables, media cards and a tripod. Also, a laptop computer with Adobe Photoshop Elements or Photoshop CS already installed. For those without a laptop, notes and handouts can be taken home to use with a desktop computer. Proof prints will be processed at the Walgreens kiosk nearby.
For more information and to register:
http://www.arrowmont.org/workshops-and-classes/workshops/details/350-digital-photography?xref=352
About the Instructor–
Robert Renfrow has spent years studying and traveling extensively throughout Europe as well as North Africa, India, Russia and New Zealand. He is the co-founder of Art Research Tours and International Studios, a non-profit organization dedicated to helping artists travel and study abroad. Graduating as Salutatorian of his class from the Kansas City Art Institute with a Bachelor of Fine Arts in Photography/Video, Renfrow was awarded a Graduate Fellowship to attend the University of Arizona from which he received his MFA in Photography in 1991.
Robert has taught photography workshops internationally. Locally, he is both an artist-in-residence for the Arizona Commission on the Arts and on the faculty of the Arizona Sonora Desert Museum Art Institute where he teaches nature photography and Photoshop. His work in both photography and video have been exhibited in Europe and throughout the USA, including two recent Arizona Biennial exhibitions at the Tucson Museum of Art.
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